Melanie Person

Co-Director, The Ailey School

Melanie Person began her early dance training in Jackson, Mississippi, at age six. Upon moving to Columbia, South Carolina, a few years later, she continued her dance training at the Calvert-Brodie School of Dance while performing with the Columbia City Ballet. In the winter of 1976, on the recommendation of her teacher Ann Brodie, Ms. Person auditioned for the Dance Theatre of Harlem (DTH) Summer Intensive and was offered a full scholarship. Upon completion of the summer program, she became an apprentice to the professional company and, in 1979, became a full member at the age of 16 after graduating from Professional Children's School. For 12 years, Ms. Person performed with DTH, traveling around the world performing a diverse repertoire. She performed choreography by artistic luminaries including George Balanchine, Geoffrey Holder, Agnes de Mille, Glen Tetley, Garth Fagan and Arthur Mitchell, DTH’s founder and artistic director. Her television credits include performances in NBC’s presentation of DTH’s Creole Giselle, CBS’s 60 Minutes with Ed Bradley featuring DTH, the closing ceremonies of the 1984 Olympics, and the PBS presentation of Live at the Kennedy Center: The Making of Firebird. She later went on to earn her BA from SUNY Empire State College. In 1999, Denise Jefferson invited her to join the Professional Performing Arts School ballet faculty at The Ailey School and in 2000, Ms. Jefferson appointed her as Co-Director of the Junior Division alongside Tracy Inman. Shortly thereafter, Ms. Person was made Chair of the ballet department and President of the Emergency Fund for Student Dancers. She has been on the faculty of the Dance Theatre of Harlem School, the Ballet Hispánico School, Marymount Manhattan College, and Purchase College. Ms. Person has also been a teaching artist in the New York City Public School System. She is on the Board of Directors for the National Association of Schools of Dance. Additionally, she has taught as a guest at The Flint Institute of Music, Dance Institute of Washington, Boston Ballet School, and The Adaclam School in French Guyana. Ms. Person has served as an adjudicator for the Youth American Grand Prix, Asian Grand Prix, FIDPOA, and Prix de Lausanne’s 50th anniversary. In 2009, she was named Associate Director of The Ailey School and in 2010, Co-Director with Tracy Inman after Ms. Jefferson’s passing. For over a decade, she served as a supervisor of the New Directions Choreography Lab at The Ailey School, providing opportunities for the next generation of choreographers and dance artists. Ms. Person has also earned a Master of Arts in Liberal Studies. Currently, she is a Co-Chair of the Schools and Intensives Network for Dance USA and serves as a board member of the Prix de Lausanne.

Featured Press Coverage

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WDAM7 - Renowned New York dance instructor visits Mississippi to recruit for summer program

LAUREL, Miss. (WDAM) - A world-renowned dance instructor from New York visited Laurel Thursday to conduct a special class and do some recruiting for a prestigious summer dance program in the Big Apple. Melanie Person, who is co-director of the Ailey School in New York, taught a master ballet class Thursday morning at Laurel Middle School. It’s part of a three-day residency in the Magnolia State, organized by the Mississippi Arts + Entertainment Experience in Meridian. She’ll teach two other classes Friday in Meridian before hosting an audition Saturday for a prestigious summer dance program at the Ailey School.

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Fordham Magazine - The Ailey/Fordham BFA in Dance Turns 25

The partnership between Fordham and the Ailey School has grown into one of the preeminent BFA dance programs in the country. Its graduates—inspired by Alvin Ailey’s trailblazing, humanist vision—have used their holistic education to make an impact in the arts and beyond.

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Dance Magazine - A High Degree of Success: The Ailey/Fordham Dance BFA Turns 25

The story took flight with a chance encounter at the 60th Street post office in Manhattan. It was the mid-'90s and Denise Jefferson, then head of The Ailey School, and Edward Bristow, then dean of Fordham College at Lincoln Center, would often bump into each other in the neighborhood. At that point, both schools were already looking for ways to expand their relationship, and Jefferson had previously floated the idea of starting a BFA program. While standing in line to buy stamps, Bristow says, their friendly chitchat set in motion an idea to form a planning committee tasked with creating a BFA program that would change the lives of scores of young dancers.