Isabel Wallace-Green

ISABEL WALLACE-GREEN (Houston, TX) began her dance training at Houston Ballet Academy where she studied for nine years. She graduated summa cum laude from the Ailey/Fordham BFA Program in Dance with a double major in Dance and African/African American Studies. She performed with New Chamber Ballet, Urban Souls Dance company, and was an ensemble member of The Radio City Christmas Spectacular. Wallace-Green joined DBDT: Encore! before joining Dallas Black Dance Theatre in 2021. While living in Texas, she partnered with University of Houston and Texas Southern University art museums to premiere her first solo show, Resilience. Wallace-Green joined the company in 2023.  

Featured Press Coverage

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The Root - Why the ‘Confuse the Enemy’ Challenge is the TikTok Dance White Folks Can’t Seem to Get

It looks like Black dancers finally have a trending TikTok dance that white folks can’t steal or replicate with the “Confuse the Enemy” challenge. Syncopated arm movements, dramatic running and Camden Bop choreography have caused the trend to go viral among Black audiences on TikTok – without the unwelcome interference from white content creators. Then, late last week, Ailey dancers entered the discourse with their own dance cover. “Did someone call for us?” the video was captioned. Four performers — Corrin Rachelle Mitchell, Isabel Wallace-Green, Shawn Cusseaux and Ashley Kaylynn Green — joined the trend from backstage dressed in a mix of costumes and street clothes, as they were minutes away from the start of a performance of the iconic Ailey piece “Revelations.”

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Houston CityBook - In Homecoming Show, Isabel Wallace-Green Dances Her Way Back To Jones Hall With Alvin Ailey Company

Houston-born dancer and arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”