Corrin Rachelle Mitchell

CORRIN RACHELLE MITCHELL (Baltimore, MD) began her dance training in her hometown at LeRe’s Performing Arts Center, owned by her mother and father. She attended Baltimore School for the Arts where she trained with Norma Pera and Linda-Denise Fisher-Harrell. Mitchell graduated in 2017 with a BFA in Dance from Point Park University where she worked with choreographers Troy Powell, Garfield Lemonius, and Debbie Allen. After completing one year of apprenticeship, Mitchell joined Ailey II in 2017, performing works choreographed by Uri Sands, Bradley Shelver, Troy Powell, Robert Battle, Darrell Grand Moultrie, and Amy Hall Garner. She joined the Company in 2019. Instagram: @_slimrin_  

Featured News Releases

Alvin Ailey American Dance Theater National Tour January 28 - May 8 Celebrates A Decade Of Robert Battle's Leadership And 50th Anniversary Of Alvin Ailey's Cry

NEW YORK – JANUARY 27, 2022 – Alvin Ailey American Dance Theater, America’s beloved cultural ambassador to the world, returns to stages on a coast-to-coast National Tour starting January 28 in Philadelphia, kicking off Black History Month at the Kennedy Center in Washington, D.C. on February 1 , and traveling to cities like Atlanta, Miami, Berkeley, Boston, Chicago, and Los Angeles before the finale in Newark on May 8. Marking a decade of leading the Company forward, Artistic Director Robert Battle presents Ailey’s renowned artists in a diverse repertory of premieres, new productions, and Ailey classics. Highlights include a Battle 10th Anniversary program; two world premieres adapted from video to stage, For Four by Robert Battle and Holding Space by Ailey Resident Choreographer Jamar Roberts; the return of hip-hop innovator Rennie Harris’s acclaimed Lazarus; 50 Years of Cry commemorating Ailey’s beloved classic dedicated to “all Black women everywhere—especially our mothers;” and Ailey & Ellington, spotlighting cherished classics from the series of more than a dozen ballets that Alvin Ailey created celebrating the musical genius of the eminent American composer Duke Ellington. Alvin Ailey’s American masterpiece Revelations, which has inspired generations through its powerful storytelling and soul- stirring spirituals since its creation in 1960, will reach all cities on the North American tour.

Featured Press Coverage

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The Root - Why the ‘Confuse the Enemy’ Challenge is the TikTok Dance White Folks Can’t Seem to Get

It looks like Black dancers finally have a trending TikTok dance that white folks can’t steal or replicate with the “Confuse the Enemy” challenge. Syncopated arm movements, dramatic running and Camden Bop choreography have caused the trend to go viral among Black audiences on TikTok – without the unwelcome interference from white content creators. Then, late last week, Ailey dancers entered the discourse with their own dance cover. “Did someone call for us?” the video was captioned. Four performers — Corrin Rachelle Mitchell, Isabel Wallace-Green, Shawn Cusseaux and Ashley Kaylynn Green — joined the trend from backstage dressed in a mix of costumes and street clothes, as they were minutes away from the start of a performance of the iconic Ailey piece “Revelations.”

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The Baltimore Banner - America’s Most Prestigious Black Dance Company Fills Its Ranks With Maryland Dancers

She was the most beautiful dancer the kindergartner from Randallstown had ever seen: a petite African American woman, hair slicked back into a voluptuous bun, dancing a solo to a gospel number by Yolanda Adams. Jessica Amber Pinkett, wearing a sparkly tutu and standing in the wings, was watching her teacher’s former student Linda-Denise Fisher-Harrell, a Baltimore-born star at Alvin Ailey American Dance Theatre, who had returned to share the stage with Pinkett and other young dancers.