Christopher Taylor

CHRISTOPHER TAYLOR (Newark, New Jersey) started his dance training at The Ailey School when he was 11. He later attended Arts High School in Newark. During his training, he attended AileyCamp Newark, performing numerous times at The Apollo Theater and Lincoln Center in works by Rennie Harris, Robert Battle, and other choreographers. After graduating from Arts High School, Taylor received a scholarship to The Ailey School’s Professional Division. In 2022, he joined Ailey II under artistic director Francesca Harper and went on to perform works by Ms. Harper, William Forsythe, Andrea Miller, and Robert Battle. He joined the company in 2022.

Featured News Releases

Ailey II - The Next Generation Of Dance - Returns To The Ailey Citigroup Theater For Two-Week Season March 23 - April 3

NEW YORK – FEBRUARY 16, 2022 — Ailey II, the celebrated second company to Alvin Ailey American Dance Theater, returns to its home, The Ailey Citigroup Theater, for a highly anticipated two-week season featuring 10 performances from March 23 - April 3. The gifted 12-member ensemble will treat New York audiences to three dynamic programs featuring works by Alvin Ailey American Dance Theater Artistic Director Robert Battle, William Forsythe, Ailey II Artistic Director Francesca Harper, Ailey company member Yannick Lebrun, and Andrea Miller.

Ailey II, The Next Generation Of Dance, Returns To U.S. Stages Led By New Artistic Director Francesca Harper

NEW YORK – FEBRUARY 1, 2022 — Ailey II, merging the spirit and energy of the country’s best early-career dance talent with the passion and creative vision of outstanding emerging and established choreographers, returns to stages across the country this winter. Ailey II Artistic Director Francesca Harper—an internationally renowned performer, choreographer, director, and multi-disciplinary artist—is nurturing new creative voices and propelling the Company forward during her inaugural season. Trained at The Ailey School (and the daughter of the late Denise Jefferson, director of The Ailey School 1984-2010), Ms. Harper brings fresh perspectives to Mr. Ailey’s legacy. Program highlights from the repertory for the national tour and the New York City season featuring four new works and one world premiere include dances by Alvin Ailey, Alvin Ailey American Dance Theater Artistic Director Robert Battle, William Forsythe, Francesca Harper, Ailey company member Yannick Lebrun, and Andrea Miller.

Featured Press Coverage

TheGuardian_AAADT_IntlTour26_London_Review_09.16.26

The Guardian - New Works Review – A Heavenly Night

The Alvin Ailey company’s New Works program might be seen in some circles as dated, and it’s true that it is neither cutting edge nor modishly contemporary. Yet it rests on more perennial qualities that underpin the company’s enduring appeal: skill, craft, beauty and humanity, and beneath them an artistic aim that can reach up towards the sublime, out towards the world, or in towards the heart.

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NJ.com - How the Alvin Ailey summer camp in Newark is turning young dancers into confident leaders

All eyes turned to Nasha Thomas as she stepped into the dance rehearsal. The room fell quiet. With a few words, the AileyCamp national director commanded the attention of dozens of students as she shared feedback with campers preparing for an upcoming performance at the New Jersey Performing Arts Center in early August. Thomas continued making her rounds, observing ballet, modern, West African dance and a percussion class, offering thoughtful adjustments along the way. “Stagger your positions,” she told one group. “Practice once without music. Get used to dancing without your glasses. Don’t rely on seeing every step. Tuck in loose strings. Remove rubber bands from your wrists. Be ready before the music begins.” Individually, the corrections were small. Collectively, they revealed something larger: Excellence is built through dozens of little habits.

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NJ.com - His grandmother’s house music and Newark culture: The making of an Alvin Ailey dancer

Christopher Taylor still carries Newark with him every time he steps onto a stage. He remembers summers filled with booming house music, crowded park festivals and long days spent dancing in the middle of circles of cheering adults. “My grandmother was a house head,” he said, naming DJs and artists like Black Coffee and Kenny Bobien he heard at home. “I grew up with house music blasting all day.”