Caroline T. Dartey

CAROLINE T. DARTEY (Geneva, Switzerland) trained in rhythmic gymnastics in her hometown from the age of five, rising to national and international levels and becoming the Swiss champion in her category 2009-2011. She later began dancing at the Conservatoire Populaire de Musique, Danse et Théâtre of Geneva. Dartey also trained at The Ailey School as a scholarship student and performed in Alvin Ailey’s Memoria during the Company’s 2017 New York City Center season. She was a member of Ailey II 2018-2020 and has performed works choreographed by Darrell Grand Moultrie, Uri Sands, Bradley Shelver, Troy Powell, Robert Battle, Amy Hall Garner, Kirven Douthit-Boyd, Andrea Miller, Alia Kache, and Yannick Lebrun. Dartey’s commercial work includes Vogue World New York and performances with music artists Omah Lay and Pheelz on Late Night with Seth Meyers. Dartey joined the Company in 2021. Instagram: @caroline_dartey

Featured News Releases

Alvin Ailey American Dance Theater National Tour January 28 - May 8 Celebrates A Decade Of Robert Battle's Leadership And 50th Anniversary Of Alvin Ailey's Cry

NEW YORK – JANUARY 27, 2022 – Alvin Ailey American Dance Theater, America’s beloved cultural ambassador to the world, returns to stages on a coast-to-coast National Tour starting January 28 in Philadelphia, kicking off Black History Month at the Kennedy Center in Washington, D.C. on February 1 , and traveling to cities like Atlanta, Miami, Berkeley, Boston, Chicago, and Los Angeles before the finale in Newark on May 8. Marking a decade of leading the Company forward, Artistic Director Robert Battle presents Ailey’s renowned artists in a diverse repertory of premieres, new productions, and Ailey classics. Highlights include a Battle 10th Anniversary program; two world premieres adapted from video to stage, For Four by Robert Battle and Holding Space by Ailey Resident Choreographer Jamar Roberts; the return of hip-hop innovator Rennie Harris’s acclaimed Lazarus; 50 Years of Cry commemorating Ailey’s beloved classic dedicated to “all Black women everywhere—especially our mothers;” and Ailey & Ellington, spotlighting cherished classics from the series of more than a dozen ballets that Alvin Ailey created celebrating the musical genius of the eminent American composer Duke Ellington. Alvin Ailey’s American masterpiece Revelations, which has inspired generations through its powerful storytelling and soul- stirring spirituals since its creation in 1960, will reach all cities on the North American tour.

Alvin Ailey American Dance Theater Announces Programming For New York City Center Season December 1-19, 2021

NEW YORK – UPDATED October 19, 2021— Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company and America’s beloved cultural ambassador to the world, returns to the stage for a much-anticipated annual season in their “home” theater December 1–19, 2021. Marking a decade of leading the Company forward, Artistic Director Robert Battle will present Ailey’s renowned artists in a diverse repertory of premieres, new productions and Ailey classics. The repertory features two world premieres adapted from video to stage by Robert Battle and Ailey Resident Choreographer Jamar Roberts as well as four new productions.

Featured Press Coverage

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Blick - Geneva native dances for the world's most successful ensemble

Anyone who pictures a dancer as a small, delicate prima ballerina has never seen a performance by the Alvin Ailey American Dance Theater. The dancers are highly trained, top-level athletes who deliver Olympic-level performances during their nearly two-hour show. No wonder they are often called "artistic athletes"—especially since some of them have a background in sports. Caroline Dartey is one such example. The 28-year-old from Geneva began rhythmic gymnastics at the age of four and is a two-time Swiss champion in her category. After ending her competitive sports career in her early teens, dancing was "the logical next step," says Caroline.

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The Guardian - New Works Review – A Heavenly Night

The Alvin Ailey company’s New Works program might be seen in some circles as dated, and it’s true that it is neither cutting edge nor modishly contemporary. Yet it rests on more perennial qualities that underpin the company’s enduring appeal: skill, craft, beauty and humanity, and beneath them an artistic aim that can reach up towards the sublime, out towards the world, or in towards the heart.

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British Vogue - Stage Beauty

Growing up, I loved dance. And so I spent years taking African, hip-hop and jazz classes at my local studio in Queens, New York. While I also greatly admired classical ballet, even as a child I was acutely aware of how, aesthetically, Black dancers had to fit in with Eurocentric beauty ideal. Then I discovered Alvin Ailey American Dance Theater. Going to its show and seeing dancers who looked like me was thrilling. The stories on the stage were told through exquisite movement and music, and they were also told through hair.