Matthew Rushing, Associate Artistic Director

Matthew Rushing was born in Los Angeles, California. He began his dance training with Kashmir Blake in Inglewood, California, and continued his training at the Los Angeles County High School for the Arts. He is the recipient of a Spotlight Award and a Dance Magazine Award and was named a Presidential Scholar in the Arts. He was a scholarship student at The Ailey School and later became a member of Ailey II. During his career, Mr. Rushing has performed as a guest artist for galas in Vail, Colorado, as well as in Austria, Canada, France, Italy, and Russia. He has performed for Presidents George H. W. Bush, Bill Clinton, George W. Bush, and Barack Obama, as well as at the 2010 White House Dance Series. During his time with the company, he has choreographed five ballets: Acceptance In Surrender (2005), a collaboration with Hope Boykin and Abdur-Rahim Jackson; Uptown (2009), a tribute to the Harlem Renaissance; ODETTA (2014), a celebration of “the queen of American folk music”;  Testament (2020), a tribute to Alvin Ailey’s Revelations created in collaboration with Clifton Brown and Yusha-Marie Sorzano; and Sacred Songs (2024), which resurrected and reimagined a collection of spirituals from the original 1960 version of Revelations that were later omitted. In 2012 he created Moan, which was set on PHILADANCO! and premiered at the Joyce Theater. Mr. Rushing joined the company in 1992. He became Rehearsal Director in 2010, Associate Artistic Director in 2020, and served as Interim Artistic Director 2023-2025.  

Featured News Releases

Alvin Ailey American Dance Theater Announces Programming For New York City Center Season December 2, 2026 - January 3, 2027

NEW YORK — UPDATED AUGUST 20, 2026 — Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company, returns to the theater’s mainstage December 2, 2026 through January 3, 2027 for a five-week holiday engagement. Led by Daria L. and Eric J. Wallach Artistic Director Alicia Graf Mack, the season promises the passionate artistry and technical brilliance that make an Ailey performance a singular experience. Audiences will be treated to premieres by contemporary choreographers Jamar Roberts, Yue Yin, and William Forsythe, alongside groundbreaking classics like Ronald K. Brown’s Grace, Judith Jamison’s Hymn, and Alvin Ailey timeless Revelations— the ultimate anthem to resilience and joy.

Alvin Ailey American Dance Theater Announces Inaugural Season Led By Artistic Director Alicia Graf Mack Launching At New York City Center December 3, 2025 - January 4, 2026, Followed By United States Tour

NEW YORK — updated August 20, 2025 — Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company and a beloved American cultural ambassador to the world, returns to the New York City Center stage from December 3, 2025 – January 4, 2026 for a five-week engagement, which has become a joyous holiday tradition! The milestone season raises the curtain on AILEY’s next era under the leadership of new Artistic Director Alicia Graf Mack, the renowned dancer and educator, guided as ever by Alvin Ailey’s pioneering legacy. Audiences will be treated to classic works from the Ailey repertory that have inspired and uplifted fans for decades — including the touchstone of inspiration Revelations, the ultimate anthem to resilience and joy, which will be performed with live music for six performances on the Opening Night Gala and opening weekend.

Ailey Extension Celebrates Black History Month With The Launch Of Ailey Legacy On-Demand Series And Themed Workshops

(NEW YORK) February 2, 2022 – In celebration of Black History Month, Ailey Extension is launching Ailey Legacy On-Demand, a series of on-demand workshops taught by the stars of Alvin Ailey American Dance Theater and presenting a variety of workshops and classes that highlight Black contributions to the world of dance. Each day in February students of all experience levels can explore street styles such as hip-hop and Afro’Dance, dive into Afro-Latin techniques from Cuba and Brazil, and immerse themselves in traditional West African dance with Ailey’s elite instructors either in-studio at the Joan Weill Center for Dance – NYC’s largest building dedicated to dance – or virtually from wherever they are located.

Featured Press Coverage

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Amsterdam News - Ailey’s BAM season centers inspiring power of the human spirit

A sure sign of summer is the Alvin Ailey American Dance Theatre’s appearance at the Brooklyn Academy of Music (BAM), June 4–7 this year, with a program that celebrates the transcendence of the human body and spirit with works that include Ailey’s timeless masterpiece, “Revelations,” the ultimate anthem to resilience and joy that has moved and uplifted fans for decades. Also included is Hymn, the Emmy-Award winning 1993 tribute to the company’s founder, choreographed by its legendary star and Ailey’s successor, the late Judith Jamison. Medhi Walerski’s “Blink of an Eye,” with its stunningly deft display of athleticism set to J.S. Bach’s compelling fast-paced violin sonatas and partita, rounds out the evening.

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WGN9 - Alvin Ailey American Dance Theater Returns to Chicago to Debut New Works

WGN: Daytime Chicago’s Hosts, Tonya Francisco and Amy Rutledge sit down with Associate Director, Matthew Rushing, to talk about the upcoming engagement in Chicago at The Auditorium from April 24 – 26. Along with the interview, company members, Alisha Rena Peek and Renaldo Maurice performed an excerpt of Alvin Ailey’s Revelations and an excerpt of Frederick Earl Mosley’s Embrace.

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Berkeleyside - Lost Music From Alvin Ailey’s Unabridged Version of ‘Revelations’ Inspired This Ballet Coming to Berkeley

More than 35 years after his death, Alvin Ailey still has revelations to share. With its opening “I Been Buked” tableau of arms stretching up to heaven, the choreographer’s iconic ballet “Revelations” is arguably the most beloved and frequently performed work in the modern dance canon. It turns out that the 30-minute version of the ballet that concludes most Alvin Ailey American Dance Theater (AAADT) performances is only half of the story.