Spectrum News 1 - Director Jamila Wignot Discusses ‘AILEY’ Documentary
Director Jamila Wignot discusses AILEY, which is out now in theaters.
The Washington Post - Documentary Proves A Dance Is More Than Just Its Steps
Memory was the anchor of famed choreographer Alvin Ailey’s work, the fuel behind the joy and restraint in his massively successful fusion of Black culture, theater and modern dance in the 20th century. That’s what those who knew and worked with him say in new documentary “Ailey,” which examines Ailey’s life and explores how to best remember a man who died more than 30 years ago but still lives on in the steps of those learning the moves he committed to dance doctrine.
Harper’s Bazaar - Leaps & Bounds
After a year of solo practices and virtual performances, dancers are back on stage doing what they do best: performing in front of live audiences. But for some of the field’s biggest and most transformative stars, choreographing the future of an art form steeped in tradition means leaving some things in the past.
The Nassau Guardian - Courtney Celeste Spears Keeping Company With Legends
Courtney Celeste Spears is keeping company with legends. She was selected by her company Alvin Ailey American Dance Theater and among a number of dance legends photographed for Harper’s Bazaar’s August issue.
NPR: Here & Now - New Documentary Showcases Life And Work Of Dance Great Alvin Ailey
The documentary "Ailey" tells the story of the late Alvin Ailey, who founded the Alvin Ailey American Dance Theater in 1958. Host Robin Young speaks with the film's director Jamila Wignot and Judith Jamison, a dancer and artistic director emerita of Alvin Ailey's company.
New York Post - Giant Leaps: New Alvin Ailey Doc Celebrates Dance Legend’s Greatness
At the beginning of “Ailey” – the documentary about iconic choreographer Alvin Ailey, which opens in New York today – greatness recognizes greatness when Cicely Tyson calls him the “Pied Piper of modern dance” at his 1988 Kennedy Center Honors induction. And for this master of movement – who founded the internationally renowned Alvin Ailey American Dance Theater company in New York in 1958 – it was all about brining black people to the traditionally white world of dance.
The New York Times - The Man Behind The Dances
Too often, the idea of Alvin Ailey is reduced to a single dance: “Revelations.” His 1960 exploration of the Black experience remains a masterpiece, but it also overshadows the person who made it. How can an artist grow after such early success? Who was Alvin Ailey the man? In “Ailey,” the director Jamila Wignot layers images, video and – most important – voiceovers from Alvin Ailey to create a portrait that feels as poetic and nuanced as choreography itself.
The Washington Post - Film Looks At What Made Mr. Ailey Mr. Ailey
The documentary “Ailey,” opening nationwide in theaters Aug. 6, is a long-overdue portrait of the modern dance pioneer. Alvin Ailey died in 1989 at age 58, but, significantly, much of the Insignia Films documentary was filmed in 2018 at a New York dance studio near a street named Alvin Ailey Place. As we watch a new generation of Ailey dancers taking direction from hip-hop choreographer Rennie Harris, it’s as though Alvin Ailey never really left; he and his company have always evolved to meet the times.
The Face - Tremaine Emory On His Alvin Ailey Inspired Champion Collab
Tremaine Emory is no stranger to designer collaborations. As a consultant, the omni-talented artist has advised the likes of Kanye West and Frank Ocean and collaborated with brands such as Nike, Adidas, Levi’s and Stüssy. Now, the No Vacancy Inn co-founder and FACE family member has added yet another string to his bow: a super-slick collaboration with Champion. Due to launch in September, the Champion Tears collection takes influence from both the sportswear brand’s archives and one of the giants of 20th century dance: Alvin Ailey. Founder of the Alvin Ailey American Dance Theater in New York – and one of the most important figures in honouring Black culture through dance – the whole thing is brought to life in a film by director, dancer and star of A24’s upcoming Zola, Taylour Paige.
The New York Times - At Ailey’s Gala, Different Kinds Of Hope
Uplift is what people expect from Alvin Ailey American Dance Theater. And so its no surprise that for its spring gala – this spring all springs – the company focused explicitly on themes of hope, promise and future. What’s pledged is delivered, with much of the rottenness that comes with reliability. But the Ailey company’s official hope doesn’t entirely eclipse a more troubled and therefore more trustworthy kind, supplied mostly by the troupe’s increasingly important resident choreographer, Jamar Roberts.