Christopher Taylor still carries Newark with him every time he steps onto a stage. He remembers summers filled with booming house music, crowded park festivals and long days spent dancing in the middle of circles of cheering adults. “My grandmother was a house head,” he said, naming DJs and artists like Black Coffee and Kenny Bobien he heard at home. “I grew up with house music blasting all day.”
LAUREL, Miss. (WDAM) - A world-renowned dance instructor from New York visited Laurel Thursday to conduct a special class and do some recruiting for a prestigious summer dance program in the Big Apple. Melanie Person, who is co-director of the Ailey School in New York, taught a master ballet class Thursday morning at Laurel Middle School. It’s part of a three-day residency in the Magnolia State, organized by the Mississippi Arts + Entertainment Experience in Meridian. She’ll teach two other classes Friday in Meridian before hosting an audition Saturday for a prestigious summer dance program at the Ailey School.
By now, Natalya Blaine and her daughter Nasya have their routine down pat. Four days a week, Natalya wakes up, cooks lunch and dinner, then stores the meals in to-go containers as 17-year old Nasya packs up and gets dressed. They load their belongings into their car - the food, Nasya's dance shoes and clothes, Natalya's homework for her master's program - make a quick stop at BJ's for gas, call Natalya's mother to say a prayer, and are on the road by late morning.
The partnership between Fordham and the Ailey School has grown into one of the preeminent BFA dance programs in the country. Its graduates—inspired by Alvin Ailey’s trailblazing, humanist vision—have used their holistic education to make an impact in the arts and beyond.
The Ailey/Fordham Bachelor of Fine Arts (BFA) program in dance is hosting the “Celebrating 25 Years” Dance Benefit Concert at the Ailey Citigroup Theater at 5:30 p.m. on Monday, April 15. The event is open to alumni, staff, students, family and the public and will begin with a cocktail reception. The performances will follow, beginning at 7 p.m.
Note: This article is presented as part of the ALL ARTS program “Alvin Ailey New Directions” by filmmaker Steven Tabakin. The eight-part digital series follows choreographers Quilan “Cue” Arnold and Maria Bauman as they work with dancers from The Ailey School as part of their New Directions Choreography Lab residencies. Here, Arnold shares further insight into his process.
The story took flight with a chance encounter at the 60th Street post office in Manhattan. It was the mid-'90s and Denise Jefferson, then head of The Ailey School, and Edward Bristow, then dean of Fordham College at Lincoln Center, would often bump into each other in the neighborhood. At that point, both schools were already looking for ways to expand their relationship, and Jefferson had previously floated the idea of starting a BFA program. While standing in line to buy stamps, Bristow says, their friendly chitchat set in motion an idea to form a planning committee tasked with creating a BFA program that would change the lives of scores of young dancers.
First-year Ailey II member Hannah Alissa Richardson will join, the celebrated second company to Alvin Ailey American Dance Theater, as they return to their home, The Ailey Citigroup Theater, for a highly anticipated two-week season featuring 10 performances from March 23 to April 3. In the first New York Season led by Artistic Director Francesca Harper, the gifted 12-member ensemble will showcase their artistry in three programs featuring premieres and returning favorites: Dichotomous, New Lens and Pulse, as well as the special celebrating Robert Battle's 10th anniversary program paying homage to his visionary leadership and Ailey journey, which began in 1999 choreographing Mood Indigo for the second company. Broadwayworld had the pleasure of interviewing Hannah Alissa Richardson about her career and the upcoming performances by Ailey II.
For years, young dancers fresh out of high school who wanted to continue their training were faced with a choice: Join a trainee program or enroll as a dance major at a four-year university. Nowadays, the options are vast, ranging from one-year postgraduate training programs and second company positions to unique partnerships between lauded dance academies and colleges. As attitudes around dancers going to college have shifted, aspiring professionals now have a host of paths to choose from.
When Judy Chicago debuted her now-iconic feminist art installation The Dinner Party 40 years ago, everyone had thoughts—it was striking and powerful piece to some, and controversial to others. Featuring a large triangular table with 39 dinner plate settings, the piece served as a tribute to women Chicago believed deserved a seat at the table and quickly became her most recognized and praised body of work. In honor of International Women's Day and the 40th anniversary of The Dinner Party, Chicago joined forces with The Ailey School to honor the 39 pioneering figures through another art form: dance.