Repertory

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Showing 31 – 40 of 339 Items
The New York Times - Recalling the Creation of Grace

The New York Times - Recalling the Creation of Grace

She is transcendent and glowing: a mysterious woman in white. Standing center stage in a bandeau top with a strip of transparent fabric hanging down her front, and wide, loose pants, she remains still and rooted. This dancer, the mother god of Ronald K. Brown’s Grace, anchors the stage with a quiet strength as the sound of Duke Ellington’s “Come Sunday” builds, calling her body — and with it her costume, its fabric swelling and dipping like waves — to action.

The New York Times - Alvin Ailey’s Silky Creatures Of The Night

The New York Times - Alvin Ailey’s Silky Creatures Of The Night

The sun sets, the moon rises and New York City is reborn. The night was a source of fascination for the choreographer Alvin Ailey. He understood its power, how bodies could soften in its shadows. It’s a time when some people “become their real selves,” he wrote in his notebooks in reference to his dance Night Creature. It’s no accident that Ailey, the subject of Edges of Ailey, a major exhibition at the Whitney Museum of American Art, choreographed a performance to open Studio 54 in 1977.

ABC 7 - Behind-The-Scenes Look At Alvin Ailey Rehearsals For Upcoming Holiday Season

ABC 7 - Behind-The-Scenes Look At Alvin Ailey Rehearsals For Upcoming Holiday Season

HELL'S KITCHEN, Manhattan (WABC) -- Eyewitness News got a behind-the-scenes look at rehearsals for the Alvin Ailey American Dance Theater's upcoming holiday season. The company is preparing for several productions including the world premiere of, Sacred Songs. It will feature spirituals from the original 19-60 premiere of Alvin Ailey's influential work, Revelations.

Thirteen - Connecting Dancer Alvin Ailey’s Life Story With Classrooms

Thirteen - Connecting Dancer Alvin Ailey’s Life Story With Classrooms

Acclaimed choreographer Alvin Ailey infused his life story and Black cultural roots into his modern dance works, which have been enjoyed by millions since he first founded Alvin Ailey American Dance Theater in 1958 in New York City. Early dances such as Revelations remain favorites in the company repertory today, but many people don’t know the background of the artist, who died in 1989.

Houston CityBook - In Homecoming Show, Isabel Wallace-Green Dances Her Way Back To Jones Hall With Alvin Ailey Company

Houston CityBook - In Homecoming Show, Isabel Wallace-Green Dances Her Way Back To Jones Hall With Alvin Ailey Company

Houston-born dancer and arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

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Showing 31 – 40 of 339 Items