Repertory

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Showing 141 – 150 of 339 Items
WWD - Keeping Up With Choreographer Camille A. Brown

WWD - Keeping Up With Choreographer Camille A. Brown

Camille A. Brown has had a marquee year. The choreographer and dancer earned her first Tony nomination for best choreography for “Choir Boy,” making her the first black woman to be nominated for the category in over two decades (Marlies Yearby was nominated for “Rent” in 1996). And this fall, she has two major revivals on the horizon: the Met Opera’s season-opening “Porgy and Bess,” which marks Brown’s debut at the major arts institution, and Ntozake Shange’s influential “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf” at the Public Theater. She’s also choreographing a piece for Alvin Ailey’s upcoming season at City Center and working with director George C. Wolfe on the film adaptation of “Ma Rainey’s Black Bottom.” There are two tours on the horizon, too: for “Once on This Island” and her namesake company, Camille A. Brown and Dancers, for which she continues to dance.

The Telegraph - Alvin Ailey American Dance Theater, Programe A, Sadler's Wells, Review: A Stirring And Skin-Pricklingly Exciting Evening

The Telegraph - Alvin Ailey American Dance Theater, Programe A, Sadler's Wells, Review: A Stirring And Skin-Pricklingly Exciting Evening

Alvin Ailey was born in rural Texas in 1931. Like so many other African Americans then and since, he experienced frightful racism, but astonishing talent and tenacity allowed him to claw his way up to become one of America's best-loved dancer-choreographers. He founded his own, contemporary troupe - Alvin Ailey American Dance Theater - in 1958 as a vehicle and haven for black Americans who wanted to dance for a living. And, although Ailey himself died in 1989, his company lives on loud and proud, under the sterling directorship of Robert Battle.

BBC Radio - Front Row With Kirsty Lang

BBC Radio - Front Row With Kirsty Lang

In 1958 Alvin Ailey, aware that there were few opportunities for African-American dancers and choreographers, founded a company to tell the stories of black people through movement. Since then the Alvin Ailey American Dance Theater has become one of the most popular modern ensembles in the world. The company's artistic director, Robert Battle, talks to Kirsty Lang about its history, ambition and that constant difficulty - to get boys to dance.

NOLA.com - Dancer Who Left New Orleans At 13 Finally Gets To Perform In His Hometown -- With Alvin Ailey

NOLA.com - Dancer Who Left New Orleans At 13 Finally Gets To Perform In His Hometown -- With Alvin Ailey

On Saturday evening (March 23), the Alvin Ailey American Dance Theater will dance a dance about circles. It's a dance about time, and evolution, and what changes and, of course, what stays the same. It's about destiny and journeys and how fate makes all of those things flop on top of each other in a precise but messy Venn diagram. As the lead dancer in "EN," New Orleans-born Michael Jackson, Jr. will be performing right in the center.

NPR - Alvin Ailey American Dance Theater Debuts 'Lazarus' To Celebrate 60th Anniversary

NPR - Alvin Ailey American Dance Theater Debuts 'Lazarus' To Celebrate 60th Anniversary

After dance pioneer Alvin Ailey died in 1989, the future of the Alvin Ailey American Dance Theater was uncertain. It's difficult to keep a dance company profitable after its founder is long gone - many have tried and failed. But 30 years later, the group is thriving, and decided to celebrate its 60th anniversary and founder by commissioning a new work titled Lazarus.

The Philadelphia Inquirer - Philly Hip-Hop Legend Rennie Harris Returns This Weekend With America's Hottest Ballet

The Philadelphia Inquirer - Philly Hip-Hop Legend Rennie Harris Returns This Weekend With America's Hottest Ballet

Choreographer Rennie Harris, international pioneer of street dance theater, isn't big on accepting praise. He might have to learn. Harris' latest work, Lazarus, his fourth and most recent commission for Alvin Ailey American Dance Theater, has elicited unprecedented adulation from eminent dance critics. The piece commemorates the Alvin Ailey troupe's 60 years. It makes its Philadelphia debut Friday night and Saturday afternoon at the Academy of Music, along with Ailey's iconic Revelations.

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Showing 141 – 150 of 339 Items